Finger numbers

· Posture and body · Level 1 · 8 min

On the piano the fingers are numbered 1 to 5, from thumb to little finger, and this is true for both hands:

FingerName
1thumb
2index finger
3middle finger
4ring finger
5little finger

These numbers appear above (right hand) or below (left hand) the notes in a score: that is the fingering. Fingering is not a detail: a good fingering makes a passage easy, a bad one makes it impossible at tempo. Editors and teachers spend a lot of time choosing it; respect it, especially at first.

The symmetry trap

The two hands are symmetrical, like mirror images. On C D E F G, the right hand plays 1 2 3 4 5, but the left hand plays 5 4 3 2 1. A rising line in the right hand starts with the thumb; a rising line in the left hand starts with the little finger. This is the number one source of confusion.

M:4/4
L:1/4
Q:1/4=80
K:C
%%staves {RH LH}
V:RH clef=treble
V:LH clef=bass
[V:RH] !1!C !2!D !3!E !4!F | !5!G !4!F !3!E !2!D | !1!C4 |]
[V:LH] !5!C, !4!D, !3!E, !2!F, | !1!G, !2!F, !3!E, !4!D, | !5!C,4 |]

Reflex exercises

  1. Tapping. Hands resting on a table. Someone (or you) calls out a number and a hand: "right 3", "left 5"… Tap the matching finger as quickly as possible. Then both hands together: "2!" and both index fingers tap.
  2. The mirror. Play the melody above hands together, saying the numbers aloud for the right hand, then for the left hand.
  3. Pairs. On the table, tap 1-3, 2-4, 3-5, then 1-5. Keep the non-playing fingers resting and relaxed.
Common mistakes:
  • Numbering the left hand "backwards" (thumb = 5): no, the thumb is always 1.
  • Ignoring written fingerings to "do what feels right": that is how you end up with no finger available three notes later.
Tip: when you learn a new piece, pencil in the fingering at tricky spots on day one, and then stick to it. Finger memory is built on a stable fingering.

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