Tempo and character terms: a glossary

Music theory · Expression: dynamics, articulation, signs · Level 3 · 14 min

Above the first bar, the composer gives a tempo and often a character: Allegro con brio, Andante cantabile… These words, mostly Italian, are the key to interpretation. Here is the essential vocabulary, to look up as often as you need.

Tempos (slowest to fastest)

TermMeaning
Gravevery slow and solemn
Largo / Larghettobroad / a little less broad
Lentoslow
Adagioslow, at ease
Andante / Andantinowalking / a little more flowing (usage has varied!)
Moderatomoderate
Allegrettofairly lively, less than allegro
Allegrocheerful, fast
Vivacelively
Presto / Prestissimovery fast / as fast as possible

Tempo changes

TermMeaning
accelerando (accel.), stringendospeeding up; pressing on
ritardando (rit.), rallentando (rall.)gradually slowing down
ritenuto (riten.)held back, immediately slower
allargandobroadening (slower and often louder)
morendo, smorzando, calandodying away: slower and softer
a tempo, tempo primo (Tempo I)back in tempo / back to the original tempo
rubatoflexible tempo, time "stolen" and given back
ad libitum (ad lib.)freely
𝄐 fermata (pause)hold the note or rest longer, at will

Character

TermMeaningTermMeaning
dolcesweet, tendermaestosomajestic
cantabilesinginggraziosograceful
espressivoexpressiveagitatoagitated
leggierolightcon briowith spirit, brilliance
sostenutosustainedcon fuocowith fire
tranquillocalmscherzandoplayful, joking
sotto vocein an undertoneappassionatopassionate
pesanteheavygiocosomerry

Essential little words

molto (very), poco (a little), poco a poco (little by little), più (more), meno (less), assai (very), non troppo (not too much), sempre (always), subito (suddenly), quasi (almost), con / senza (with / without). Example: Allegro ma non troppo = fast, but not too fast.

M:4/4
L:1/4
Q:1/4=100
K:C
"^dolce"E E F G | G F E D | C C D E | "^rit."E3/2 D/ !fermata!D2 |]

French and German markings

From the 19th century on, many composers wrote in their own language:

  • French (Debussy, Ravel, Satie, Fauré): Lent (slow), Modéré (moderate), Vif (lively), Animé (animated), Retenu (held back), Cédez (yield, slow down), Serrez (press on), Au mouvement (a tempo), Doux et expressif (soft and expressive), Sans rigueur (freely). Debussy: "Andante très expressif" (Clair de lune); Satie: "Lent et douloureux" — slow and sorrowful (Gymnopédie No. 1), and the poetic directions of his Gnossiennes, such as "Du bout de la pensée" (with the tip of your thought).
  • German (Schumann, Brahms, Mahler): Langsam (slow), Mäßig (moderate), Lebhaft (lively), Schnell, Rasch (fast), Innig (heartfelt, intimate), Zart (tender), Ruhig (calm), Mit Ausdruck (with expression), Nicht zu schnell (not too fast). Mahler heads the movement built on Frère Jacques "Feierlich und gemessen, ohne zu schleppen" (solemn and measured, without dragging).
Read the character before the tempo: in Mozart, Allegro first of all means "cheerful"; an Adagio is not only slow, it is "at ease". Ask yourself which emotion the word describes, then find the tempo that serves it.
Trap: Andantino originally meant "a little slower" than Andante for some composers and "a little faster" for others. Context (and the metronome mark, when given) decides.

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